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Monte Hellman

Monte Hellman

Birthday: 12 July 1932, Greenpoint, Brooklyn, New York City, New York, USA
Birth Name: Monte Himmelbaum

Monte Hellman was born on July 12, 1932, in New York City, where his parents were visiting, but he grew up in Los Angeles. He studied drama at Stanford University--on an NBC scholarship--and film at U ...Show More

Monte Hellman
When I was selling Eskimo Pies in Hollywood as a teenager, pushing a wagon around Paramount, Columbi Show more When I was selling Eskimo Pies in Hollywood as a teenager, pushing a wagon around Paramount, Columbia and all the studios, my dream was to have my own parking space in any studio -- I didn't care where. My problem has always been that I've had my little parking space, but I was never in a studio long enough to have my name painted on one. Hide
I believe the best movies are road movies. The road is very enigmatic. The road is life. I believe the best movies are road movies. The road is very enigmatic. The road is life.
I like to work on a film where it's continually opening up its secrets to me. I think any work of ar Show more I like to work on a film where it's continually opening up its secrets to me. I think any work of art, not just a film, is a mystery. I think it was Jean Cocteau who said it should reveal its secrets slowly. Hide
[on Jack Nicholson] There's something diabolical about him. Jack's evil. [on Jack Nicholson] There's something diabolical about him. Jack's evil.
I don't think a lot about the movies I'm making and I kind of take the scripts at face value and dea Show more I don't think a lot about the movies I'm making and I kind of take the scripts at face value and deal with it. Hide
[on Ride in the Whirlwind (1966) and The Shooting (1966), which were shot simultaneously but release Show more [on Ride in the Whirlwind (1966) and The Shooting (1966), which were shot simultaneously but released several years apart] We thought there would be a couple of more Roger Corman movies that would play on the second half of a double bill somewhere. So any thoughts about doing something different were for our own personal satisfaction. We never thought that anybody would ever notice. Hide
[on Two-Lane Blacktop (1971)] It's a film about inner life rather than outer life. It's not a film a Show more [on Two-Lane Blacktop (1971)] It's a film about inner life rather than outer life. It's not a film about other films; it's not a pastiche. Hide
[on Silent Night, Deadly Night 3: Better Watch Out! (1989)] Personally I think it's my best work. I Show more [on Silent Night, Deadly Night 3: Better Watch Out! (1989)] Personally I think it's my best work. I mean, I don't think it's my best movie... in fact, it's probably my worst, to be honest. But Arthur Gorson asked me to come on-board in March of '89 and we had our final cut ready in June that same year. Even if the movie doesn't really hold up when I watch it now, I can't help but be proud of how quickly we put it together. Hide
I love reading everybody's interpretation of any movie I make, I'm fascinated by all these different Show more I love reading everybody's interpretation of any movie I make, I'm fascinated by all these different readings, but my primary intent is to move the audience. Hide
The idea of the road movie as a separate genre is, in a way, a little absurd because every movie is Show more The idea of the road movie as a separate genre is, in a way, a little absurd because every movie is in some way a road movie. Hide
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