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Yasujirô Ozu

Yasujirô Ozu

Birthday: 12 December 1903, Tokyo, Japan
Height: 169 cm

Tokyo-born Yasujiro Ozu was a movie buff from childhood, often playing hooky from school in order to see Hollywood movies in his local theatre. In 1923 he landed a job as a camera assistant at Shochik ...Show More

Yasujirô Ozu
I tried to represent the collapse of the Japanese family system through showing children growing up. I tried to represent the collapse of the Japanese family system through showing children growing up.
I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such e Show more I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such editing techniques again. In fact, neither dissolve, fade-in nor fade-out can be regarded as 'the grammar of film,' they are no more than characteristics of the camera. Hide
Watching Fantasia (1940) I understood we could never win the war. "These people seem to like complic Show more Watching Fantasia (1940) I understood we could never win the war. "These people seem to like complications", I thought to myself. Hide
Although I may seem the same to other people, to me each thing I produce is a new expression and I a Show more Although I may seem the same to other people, to me each thing I produce is a new expression and I always make each work from a new interest. It's like a painter who always paints same rose. Hide
I have formulated my own directing style in my head, proceeding without any unnecessary imitation of Show more I have formulated my own directing style in my head, proceeding without any unnecessary imitation of others. Hide
About this time [late 1950s], CinemaScope was getting popular. I wanted to have nothing to do with i Show more About this time [late 1950s], CinemaScope was getting popular. I wanted to have nothing to do with it, and consequently I shot more close-ups and used shorter shots. Hide
Yasujirô Ozu's FILMOGRAPHY
as Director (2) as Creator (2)
Solarmovie